The Scream - Edvard Munch


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The Scream



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Snippet from Wikipedia: The Scream

The Scream is an art composition created by Norwegian artist Edvard Munch in 1893. The Norwegian name of the piece is Skrik ('Scream'), and the German title under which it was first exhibited is Der Schrei der Natur ('The Scream of Nature'). The agonized face in the painting has become one of the most iconic images in art, seen as symbolizing the anxiety of the human condition. Munch's work, including The Scream, had a formative influence on the Expressionist movement.

Munch recalled that he had been out for a walk at sunset when suddenly the setting sun's light turned the clouds "a blood red". He sensed an "infinite scream passing through nature". Scholars have located the spot along a fjord path overlooking Oslo and have suggested various explanations for the unnaturally orange sky, ranging from the effects of a volcanic eruption to a psychological reaction by Munch to his sister's commitment at a nearby lunatic asylum.

Munch created two versions in paint and two in pastels, as well as a lithograph stone from which several prints survive. Both painted versions have been stolen from public museums, but since recovered. In 2012, one of the pastel versions commanded the highest nominal price paid for an artwork at a public auction at that time.


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Snippet from Wikipedia: Edvard Munch

Edvard Munch ( MUUNK; Norwegian: [ˈɛ̀dvɑɖ ˈmʊŋk] ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His 1893 work The Scream has become one of Western art's most acclaimed images.

His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.

Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call The Frieze of Life, depicting a series of deeply-felt themes such as love, anxiety, jealousy and betrayal, steeped in atmosphere.

The Scream was conceived in Kristiania. According to Munch, he was out walking at sunset, when he 'heard the enormous, infinite scream of nature'. The painting's agonized face is widely identified with the angst of the modern person.




The Scream

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