Arte - The Egypt Code Breakers (2022)
Arte - The Egypt Code Breakers (2022)
By decoding ancient hieroglyphic texts, Jean-Francois Champollion gave voice to an enigmatic civilization, but behind his legendary feat is a mysterious brother who made it possible.
The recent discovery of correspondence between Jean-Francois Champollion and his brother Jacques-Joseph now allows us to fully understand how a young, self-taught genius was able to make one of the most important discoveries of the 19th century. Without the ingenuity and unfailing support of his older brother, Jean-Francois would never have succeeded in solving this enigma, which had international repercussions.
Two hundred years ago, Jean-Francois Champollion deciphered Egyptian hieroglyphics, solving one of the greatest mysteries in the history of humanity. A look back at a scientific epic that he would never have been able to complete without the help of his older brother.
On September 14, 1822, in a small attic room on Rue Mazarine in Paris, Jean-Francois Champollion told his older brother, Jacques-Joseph, that he had just completed his system for translating hieroglyphics, after nearly twenty years of work. If Jacques-Joseph was the first to learn the news (“I've got it!” Jean-Francois is said to have exclaimed before, exhausted, out on one's feet), it was because he had been at his side from the beginning, helping him to face the scientific and political obstacles that had hindered his research. A few years later, Champollion would realize his dream to go to Egypt to complete his knowledge, acquired by the sole force of his relentless scientific mind. A founding journey for modern Egyptology, where the decipherer would not survive for long. Jacques-Joseph would then devote the rest of his life to bringing his younger brother's work to life.
A genius and his shadow This rich documentary tells a beautiful story, forgotten in school textbooks. The recent study of the Champollion family archives has brought it to light, shedding new light on the extraordinary adventure that was the decipherment of hieroglyphics. If the extraordinary wisdom and passionate tenacity of Jean-Francois Champollion are well-known, could they have led him to success without the unwavering support of Jacques-Joseph, who accompanied him in the shadows? Their correspondence, rich in some seven hundred letters, reveals a relationship of interdependence that has never been questioned. It also reveals the socio-political context in which the two brothers, convinced republicans, navigated in the troubled first decades of the 19th century, as well as the role played by other characters, such as their protector, the prefect of Isere Joseph Fourier, or the English scholar Thomas Young, eternal competitor. From Grenoble to Paris to the banks of the Nile, a journey full of twists and turns, which still arouses the admiration of today's Egyptologists.
With animated sequences of their private correspondence, and with the help of archives and expert analysis, this film revisits this unique scientific, human and intellectual adventure to celebrate the bicentenary of the decoding of hieroglyphics.
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Wikipedia Reference
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Snippet from Wikipedia: Egyptian hieroglyphs
Ancient Egyptian hieroglyphs ( HY-roh-glifs) were the formal writing system used in Ancient Egypt for writing the Egyptian language. Hieroglyphs combined ideographic, logographic, syllabic and alphabetic elements, with more than 1,000 distinct characters. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Egyptian hieroglyphs are the ultimate ancestor of the Phoenician alphabet, the first widely adopted phonetic writing system. Moreover, owing in large part to the Greek and Aramaic scripts that descended from Phoenician, the majority of the world's living writing systems are descendants of Egyptian hieroglyphs—most prominently the Latin and Cyrillic scripts through Greek, and the Arabic and Brahmic scripts through Aramaic.
The use of hieroglyphic writing arose from proto-literate symbol systems in the Early Bronze Age c. the 33rd century BC (Naqada III), with the first decipherable sentence written in the Egyptian language dating to the 28th century BC (Second Dynasty). Ancient Egyptian hieroglyphs developed into a mature writing system used for monumental inscription in the classical language of the Middle Kingdom period; during this period, the system used about 900 distinct signs. The use of this writing system continued through the New Kingdom and Late Period, and on into the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, extending into the 4th century AD.
During the 5th century, the permanent closing of pagan temples across Roman Egypt ultimately resulted in the ability to read and write hieroglyphs being forgotten.
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Snippet from Wikipedia: Jean-François Champollion
Jean-François Champollion (French: [ʒɑ̃ fʁɑ̃swa ʃɑ̃pɔljɔ̃]), also known as Champollion le jeune ('the Younger'; 23 December 1790 – 4 March 1832), was a French philologist and orientalist, known primarily as the decipherer of Egyptian hieroglyphs and a founding figure in the field of Egyptology. Partially raised by his brother, the scholar Jacques Joseph Champollion-Figeac, Champollion was a child prodigy in philology, giving his first public paper on the decipherment of Demotic in his late teens. As a young man he was renowned in scientific circles, and read Coptic, Ancient Greek, Latin, Hebrew and Arabic.
During the early 19th century, French culture experienced a period of 'Egyptomania', brought on by Napoleon's discoveries in Egypt during his campaign there (1798–1801), which also brought to light the trilingual Rosetta Stone. Scholars debated the age of Egyptian civilization and the function and nature of the hieroglyphic script, which language if any it recorded, and the degree to which the signs were phonetic (representing speech sounds) or ideographic (recording semantic concepts directly). Many thought that the script was used only for sacred and ritual functions, and that as such it was unlikely to be decipherable since it was tied to esoteric and philosophical ideas, and did not record historical information. The significance of Champollion's decipherment was that he showed these assumptions to be wrong, and made it possible to begin to retrieve many kinds of information recorded by the ancient Egyptians.
Champollion lived in a period of political turmoil in France, which continuously threatened to disrupt his research in various ways. During the Napoleonic Wars, he was able to avoid conscription, but his Napoleonic allegiances meant that he was considered suspect by the subsequent Royalist regime. His own actions, sometimes brash and reckless, did not help his case.
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