BBC - The Films of Powell and Pressburger (2024)


BBC - The Films of Powell and Pressburger (2024)

Martin Scorsese shares his lifelong love affair with the films of Michael Powell and Emeric Pressburger. Drawing on a rich array of archive material, including their major works such as The Life and Death of Colonel Blimp, Black Narcissus and The Red Shoes, Scorsese explores the collaboration between the quintessentially English Powell and the Hungarian Pressburger and how their partnership had a major influence on his own body of work, including such classics as Taxi Driver and Raging Bull.

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Snippet from Wikipedia: Powell and Pressburger

The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s. Their collaborations—24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger and Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films. The best-known of these are The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death (1946), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).

In 1981, Powell and Pressburger were recognised for their contributions to British cinema with the BAFTA Academy Fellowship Award, the most prestigious award given by the British Academy of Film and Television Arts.

History

Early films

Powell was already an experienced director, having worked his way up from making silent films to the First World War drama The Spy in Black (1939), his first film for Hungarian émigré producer Alexander Korda. Pressburger, who had come from Hungary in 1935, already worked for Korda, and was asked to do some rewrites for the film. This collaboration was the first of 19, most over the next 18 years.

After Powell had made two further films for Korda, he reunited with Pressburger in 1940 for Contraband, the first in a run of Powell and Pressburger films set during the Second World War.


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